Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, 21 December 2014

A Scots-Irish Million Dollar Quartet.

Jerry Lee Lewis, Carl Perkins, Elvis Presley, Johnny Cash


It was December 4, 1956. The famous black and white, now sepia photograph snapped that winter afternoon shows four young men, silhouetted against acoustic tile, making joyful noise. Three of the four were standing around the one at the piano, the one who would be king. When this photograph was taken, two of the men were 21-and the other two, 24-years old. Two were Baptists and two the chosen, Assembly of God, with both traditions shot deep in their individual flawed psyches. All were Scotch-Irish, hard-scrabbled proud Southern poor. These young men, young adults in the Post-War '50s, were about to change a culture so profoundly that we can scarcely consider our "today" without them. 

The picture is of Sam Phillips' "Million Dollar Quartet" taken at Sun Studios, 706 Union Avenue, Memphis, Tennessee. The four men were, in order, Jerry Lee Lewis, Carl Perkins, Johnny Cash and the man who would be king, Elvis Presley.

The "Million Dollar Quartet" recordings were of an impromptu jam session between the four young stars. The session seems to have happened by pure chance. Perkins, who by this time had already met success with “Blue Suede Shoes,” had come into the studios that day, accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to cut some new material, including a revamped version of an old blues song, “Matchbox.” Sam Phillips, the owner of Sun Records, who wished to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, singer and piano man extraordinaire, Jerry Lee Lewis, still unknown outside Memphis, to play the piano on the Perkins session.

Sometime in the early afternoon, Elvis Presley, a former Sun artist himself, but now at RCA, dropped in to pay a casual visit accompanied by a girlfriend, Marilyn Evans. He was, at the time, the biggest name in show business, having hit the top of the singles charts five times, and topping the album charts twice in the preceding 12 month period. Less than four months earlier, he had appeared on The Ed Sullivan Show, pulling an unheard-of 83% of the television audience, which was estimated at 55 million, the largest in history, up to that time. After chatting with Philips in the control room, Presley listened to the playback of the Perkins’ session, which he pronounced to be good. Then he went into the studio and some time later the jam session began. Phillips left the tapes running in order to “capture the moment” as a souvenir and for posterity. At some point during the session, Sun artist Johnny Cash, who had also enjoyed a few hits on the country charts, popped in (Cash noted in his autobiography Cash that it was he who was the first to arrive at Sun Studio that day). As Jerry Lee pounded away on the piano, Elvis and his girlfriend at some point slipped out. Cash claims in Cash that “no one wanted to follow Jerry Lee, not even Elvis”

The following day, an article, written by Memphis newspaperman Bob Johnson about the session, was published in the Memphis Press-Scimitar under the title, “Million Dollar Quartet.” The article contained the now well known photograph of Elvis Presley seated at the piano surrounded by Jerry Lee Lewis, Carl Perkins and Johnny Cash.



That fateful jam session so caught the public imagination that it is now a successful Broadway show . "Million Dollar Quartet - The Musical" is based around this famous foursome, all of whom grew up in areas influenced by Scots-Irish culture and went on to be trailblazers in the world of Rock 'n' Roll.



a few songs from the famous jam session
Story sources: 
www.allaboutjazz.com/a-half-million-dollars-biographies...
www.sunrecords.com

Tuesday, 8 July 2014

The story of Jean Watson and King William of Orange.

The feisty Ulster-Scots widow from Donaghadee who walked all the way to the Boyne to retrieve what was hers and came face to face with the King.


William III lands at Carrickfergus castle (click to enlarge)
Article © by Jason Burke
See full article at jasonburkehistory.com

King William III landed at Carrickfergus on 14 June 1690 with a fleet of around 300 vessels.  Having mustered an army of 36,000 men, this was the largest troop that Ireland had ever seen and is likely to ever see.  A witness to the landing observed, "the lough between this and Carrickfergus seems like a wood, there being no less than seven hundred sail of ships in it… I cannot think that any army of Christendom hath the like.". The Williamite army proceeded south in order to confront James II who by this stage was perched on a strategic position at the River Boyne near Drogheda.  William’s journey took him to Belfast where he stayed at the old Belfast Castle before leaving again on 17 June 1690.  It is reported that he stopped briefly at the site of the modern ‘King William’s Park’ (Lisburn Road, Belfast) before making another stop at Malone due to a rain storm. 

36,000 troops and several hundred ships was a formidable force by any standards, it was sure to crush most enemies in its path, most, that is, except for one audacious Ulsterwoman…


Monday, 28 January 2013

The Ulster-Scots & The Fiddle.

Fiddle music is of course very popular in Ireland... but few know that the fiddle (or more technically, the violin) along with traditional reels were introduced into Ireland mainly by Ulster-Scots. And within a few generations the Ulstermen took their fiddle music with them to the frontiers of America where in their areas of settlement around the Appalachia it evolved over time into Old-Time and Bluegrass styles....


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The Fidula (medieval fiddle) had been known in Ireland at least since the 1500's but the style of music played on them was much different than the traditional Irish music heard today. The fiddle we know today (the Violin) arrived through Ulster probably early in the 17th century, and with the great movement of people from Scotland to Ulster at that time the popularity of the instrument (and the now traditional reels and strathspeys) spread quickly around the country in areas where the planters settled and beyond.